At the age of 16, I discovered that my brain is wired differently from 99% of other people. I am a synesthete, which means I perceive vivid spatial images when I hear music. This unique ability has always been a fundamental part of my artistic life.
Over the course of 50 years, I have gained extensive experience working with all types of software, hardware, and state-of-the-art techniques to visualize sound in real-time. My goal is to make this experience accessible to everyone, including those who are not synesthetes yet.
Synesthetes exhibit measurable higher brain activity and are able to handle the high density of information in today's society with greater ease.
You can find more information about synesthesia and living with connected senses in this video:
I don't want to imitate aesthetics, but rather create them.
And create super-synchronized audiovisual spaces that collapse into a black hole in that moment of silence.
It's also advantageous that I am an audiovisual synesthete.
Music instantly creates a 4-dimensional sound sculpture in my mind.
with the Advent of working, functioning #AI all future audiovisual Art will be inspired or initially created by the Imagination Skill of the Wetware of the Human brain.
The proof for this concept has been given by solving the Riddle of the #Retinotopy asked for with my BIOS Project in 2003 by Artificial Intelligence.
Ai also already could in a proof of concept generate the sound the person was hearing : by analysing the brainwaves of the person the sound was played to!!! .,-
If this interface can be inverted - then:
Wahrscheinlich ist es kein Zufall, dass ich schon einmal eine Gastvorlesung als Professor an der Bauhaus Universität Dessau gehalten habe. Ich wollte Professor für VJ beziehungsweise time based Arts werden, und ich glaube, es ist eben kein Zufall, dass ich genau dort diese Gastvorlesung gehalten habe. Denn für mich sind zum Beispiel Dreiecke Vierecke und Kreise bestimmte Charaktere.
Die Form definiert den Chrakter.
Die unendlichen Parameter der Musikvisualisierung sind Schauspieler die aufgrund ihrer Form ihren Charakter definieren. Genauso sehe ich die unendlichen Parameter meiner manuellen halb-automatischen Musik-Visualisierung als die Definition der Charaktereigenschaften des Schauspielers der letztlich nur Schwingung, Frequenz (dis)-Harmonie und Resonanz ist als Metapher für ein tanzendes Universum.,-
It is probably no coincidence that I have already given a guest lecture as a professor at the Bauhaus University Dessau. I wanted to become a professor for VJ or time-based arts, and I believe it's not by chance that I held this guest lecture precisely there because I have come to realize that storytelling, the narrative of my videos, and music videos are the weak points. For me, triangles, squares, and circles are specific characters. The form defines the character.
The infinite parameters of music visualization are actors who, due to their form, define their character. In the same way, I see the infinite parameters of my manual semi-automatic music visualization as the definition of the character traits of the actor, who is ultimately just vibration, frequency, (dis)harmony, and resonance as a ultimate metaphor for a dancing universe. 😍